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68 effects

A restrained scale-in on hover — the calm default for portfolios and cards.

A slow cinematic drift across the image on hover.

The card rises with a soft shadow — tactile without being loud.

Two-tone ink treatment that unifies mixed photography.

A bright, low-contrast warm magazine grade.

Clean, high-contrast black and white.

Nature series · 04
A readable caption anchored over a soft bottom gradient.

Interior series · 06
A frosted glass caption bar that floats above the image.

An outlined frame offset behind the image that snaps in on hover.

Nature series · 04
A tilted print that straightens as you hover.

The image opens through an expanding circular reveal.

A panel slides off on a diagonal to reveal the image.

The image rests in grayscale and blooms back to saturated color on hover.

A movie-style color grade with selectable looks and tunable contrast and saturation.

A washed-out film grade with lifted contrast, warm tones and a soft darkened vignette.

A soft radial darkening around the edges that draws the eye to the center.

Thin horizontal lines overlay the image for a retro CRT-screen look.

A true gradient-map duotone that remaps shadows and highlights to two colors via an SVG filter.

Collapses continuous tones into flat color bands for a silkscreen or comic-print look.

Overlays fine monochrome photographic grain generated by an SVG fractal-noise filter.

A sharp focal band with softly blurred surroundings that turns the scene into a miniature diorama.

The photo re-screens into a newsprint dot pattern — dense in the shadows, airy in the highlights.

A dreamy soft-focus bloom, as if a blurred, brightened copy of the photo were double-exposed on top.

Converts the photo into a graphite line drawing — edges become pencil strokes on a paper-white ground.

Two flat spot-color ink plates that don't quite register, with visible offset fringing — a Risograph misprint.

Teal shadows, cream highlights — a darkroom split-tone grade that keeps every detail of the photo.

A bold uppercase caption that blends into the photo, inverting its color against whatever sits behind it.

Interior series · 06
A frosted scrim caption slides up from the bottom on hover, blurring the image behind it.

A warm light-leak flare blooms across one corner of the photo.

Crepuscular light shafts fan out from an off-frame point across the photo, like sun through clouds.

A photogenic star-spike highlight blooms from a point on the photo, like sun glinting off glass.

A camera-HUD overlay — corner brackets, thirds grid, crosshair and a REC dot — frames the photo like a viewfinder.

An iridescent pastel gradient lies over the photo and glides across it on hover, like tilting a holographic trading card.

A poster-sized title cut from the photo itself sits on a matte band — the image becomes the typography.

Corner brackets that draw outward into a full outlined frame on hover.

An inset archival mat with a soft beveled inner edge, framing the photo like a gallery print.

A conic-gradient border that rotates continuously around the image.

The bottom corner lifts and curls like a peeling print, deepening as you hover.

Hand-torn paper edges replace the straight crop for a deckled, scrapbook finish.

Black film bands with perforated sprocket holes run along the top and bottom, like one frame of a 35mm negative.

A gallery double-mat — an outer board plus a thin contrasting reveal line — the framer's French-matting trick.

Four translucent paper corner-mounts hold the image like a print slotted into an old photo album.

Nature series · 04
Cinema letterbox bars crop the frame, with a subtitle-styled caption resting in the lower matte.

The photo sits in an organic blob crop that slowly morphs between shapes, like a living cell.

A faceted iris veil spins open and collapses to the center to uncover the image.

Two panels split apart like barn doors to reveal the image.

A sonar veil covers the photo, then a radar beam sweeps around the center to clear it on hover.

A solid veil covers the photo, then dissolves in a grid of growing holes on hover — every cell clearing at once.

A soft diagonal streak of light glides across the image on hover, like a reflection catching glass.

Red and cyan channels split apart at the edges, a subtle RGB fringe that widens on hover.

On hover the image tears into offset horizontal slices with a channel-shifting hue flicker.

The photo rests softly out of focus and snaps sharp on hover, like a lens racking onto its subject.

A false-color thermal view of the live pixels washes across the image on hover, like a night-vision scan.

A jeweler's magnifier rests over the image on hover, a circular lens showing a crisp zoomed view of one detail.

The image slowly zooms and pans in a continuous documentary-style drift.

A soft diagonal glint sweeps across the image on a gentle repeating loop.

The photo inhales and exhales with a barely-there scale-and-brightness pulse, reading as alive rather than moving.

Soft blurred blobs of color slowly drift across the photo like aurora light — a living, painterly wash.

The lower third of the photo shimmers and rises like heat off summer asphalt.

The image tips into perspective on hover, catching the light like a card held at an angle.

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The image flips on its vertical axis to reveal a colored back panel.

The photo separates into a shadow-box of depth planes that part ways as the card tilts on hover.

The photo turns in perspective on hover and a wrapped canvas edge appears at its side, like a print on a shelf.

The photo swings toward you on a left-edge hinge like a hanging signboard, then settles.

The photo develops as it scrolls into view — blur and haze rinse away like a darkroom print.

The photo pans and deepens as the card transits the viewport, like a window opening onto a scene.

The photo drifts in tilted in 3D and levels out as it crosses the viewport, like a print settling into a frame.

A hard boundary sweeps down the photo as it scrolls, colorizing it from grayscale top-to-bottom like a scanner.